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"Folies Bergeres: Loie Fuller", Jules Cheret, 1897.  Os seus cartazes demonstram dinamismo e movimento, o corpo é tratado da mesma forma do que nas estampas japonesas, inexistência de fundo e paleta cromática tem influência japonesa.

"Folies Bergeres: Loie Fuller", Jules Cheret, 1897. Os seus cartazes demonstram dinamismo e movimento, o corpo é tratado da mesma forma do que nas estampas japonesas, inexistência de fundo e paleta cromática tem influência japonesa.

Camille Martin (1861-1898), The feeling of nature

Camille Martin (1861-1898), Le sentiment de la nature

Camille Martin (1861-1898), The feeling of nature

Anatomia, ilustração e design - Parte 1

Anatomia, ilustração e design - Parte 1

La Loïe Fuller – Folies Bergère. Jean de Paleologu (Romanian, 1855-1942) known as Pal or PAL. Imprimerie Paul Dupont, Paris. Lithograph.The dancer Loïe Fuller was especially associated with veil dances. In 1886, Fuller appeared at New York’s Standard Theater in a show called The Arabian Nights. According to Rhonda Garelick, this “featured fourteen different Oriental dance numbers, including the ‘Veil of Vapor’ dance, done with clouds of steam instead of fabric ve...

La Loïe Fuller – Folies Bergère. Jean de Paleologu (Romanian, 1855-1942) known as Pal or PAL. Imprimerie Paul Dupont, Paris. Lithograph.The dancer Loïe Fuller was especially associated with veil dances. In 1886, Fuller appeared at New York’s Standard Theater in a show called The Arabian Nights. According to Rhonda Garelick, this “featured fourteen different Oriental dance numbers, including the ‘Veil of Vapor’ dance, done with clouds of steam instead of fabric ve...

Resultados de la Búsqueda de imágenes de Google de http://html.rincondelvago.com/000188780.jpg

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Resultados de la Búsqueda de imágenes de Google de http://html.rincondelvago.com/000188780.jpg

Jules Cheret, Les Coulisses de l'Opera, 1913 Chéret is considered to be the "father" of advertisement placards. He was a pencil artist and a scene decorator, who founded a small lithography office in Paris in 1866. He used striking characters, contrast and bright colours, and created over 1000 advertisements, primarily for exhibitions, theatres, and products.

Jules Cheret, Les Coulisses de l'Opera, 1913 Chéret is considered to be the "father" of advertisement placards. He was a pencil artist and a scene decorator, who founded a small lithography office in Paris in 1866. He used striking characters, contrast and bright colours, and created over 1000 advertisements, primarily for exhibitions, theatres, and products.

Poster for the 1er. bal masqué, la Grande Fête à l'Opéra, 22 janvier.  1896-1900. NYPL Digital Gallery.

Poster for the 1er. bal masqué, la Grande Fête à l'Opéra, 22 janvier. 1896-1900. NYPL Digital Gallery.

Jules Cheret

Jules Cheret

Margaret and Frances Macdonald with J. Herbert McNair, poster for the Glasgow Institute of the Fine Arts, 1895. The symbolic figures have been assigned both religious and romantic interpretations.

Margaret and Frances Macdonald with J. Herbert McNair, poster for the Glasgow Institute of the Fine Arts, 1895. The symbolic figures have been assigned both religious and romantic interpretations.

.: HENRI DE TOULOUSE-LAUTREC

.: HENRI DE TOULOUSE-LAUTREC

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