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thekimonogallery:  Second month, 1901.  “A print from a series...

thekimonogallery: “ Second month, “A print from a series by Migita Toshihide that, after being issued as a series in 1901 were issued as a woodblock printed advertising calendar, for.

Праздничный костюм молодой женщины. Нижегородская губ,, начало 19 в.

Праздничный костюм молодой женщины. Нижегородская губ,, начало 19 в.

Autumn Moon, circa 1818 by Toyokuni I (1769 - 1825)

Autumn Moon, circa 1818 by Toyokuni I (1769 - 1825)

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Japanese Prints, Japanese Art, Geisha, Asian Art, Visual Arts, Female, Printing, Actors, Audrey Kawasaki

Kitagawa Utamaro: Aus der Serie »Sechs Schöne der Vergnügungsviertel«: Die Kurtisane Yosoi aus dem Matsubaya-Haus

Kitagawa Utamaro: Aus der Serie »Sechs Schöne der Vergnügungsviertel«: Die Kurtisane Yosoi aus dem Matsubaya-Haus

A GOLD-LACQUER AND PEWTER-INLAID SUZURIBAKO AND COVER. Style of Ogata Korin (1658-1716), Edo period, late 18th/early 19th century. Japan.

A GOLD-LACQUER AND PEWTER-INLAID SUZURIBAKO AND COVER. Style of Ogata Korin (1658-1716), Edo period, late 18th/early 19th century. Japan.

Kikugawa Eizan (1787-1867) 菊川英山 Moon 雪、from the series Fashionable Snow, Moon and Flowers at Famous Places 風流名勝雪月花、 1814-17

Kikugawa Eizan Moon 雪、from the series Fashionable Snow, Moon and Flowers at Famous Places 風流名勝雪月花、

張大千 - 牡丹雙蝶圖 (立軸)                  絹本。106×42 cm。                         張大千 (Zhang Daqian,1899-1983),原名正權,改名爰,小名季,故又名季爰,别署青城客,一度圍僧,法號大千,還俗後以法號行,署大千居士,或署蜀人張大千。居大陸時齋名 “大風堂”,僑巴西時居 “八德園”,遷台灣時居 “摩耶精舍”。四川內江人。與溥儒並稱 “南張北溥”,與齊白石並稱 “南張北齊”,與溥儒、黄君璧合稱 “渡海三傑”,與畢加索並稱 “東張西畢”。人或云 「五百年來一大千」少時受擅長繪畫的母親和二兄張善孖的薰陶,並遍臨歷代名迹,遍游名山大川,且于詩词、古文、戲劇、音樂以及書法、篆刻,無不涉獵。其詩文真率豪放,書法勁拔飄逸,外柔内剛,獨具風采。                  款識:「雨後郊原分外青,尋春直到黨山亭。石闌干畔斜頭坐,飽看楊妃擁宿酲。故都退谷看牡丹作。丁亥三月,爰。」印鑒:張爰大千父、蜀客。

張大千 - 牡丹雙蝶圖 (立軸) 絹本。106×42 cm。 張大千 (Zhang Daqian,1899-1983),原名正權,改名爰,小名季,故又名季爰,别署青城客,一度圍僧,法號大千,還俗後以法號行,署大千居士,或署蜀人張大千。居大陸時齋名 “大風堂”,僑巴西時居 “八德園”,遷台灣時居 “摩耶精舍”。四川內江人。與溥儒並稱 “南張北溥”,與齊白石並稱 “南張北齊”,與溥儒、黄君璧合稱 “渡海三傑”,與畢加索並稱 “東張西畢”。人或云 「五百年來一大千」少時受擅長繪畫的母親和二兄張善孖的薰陶,並遍臨歷代名迹,遍游名山大川,且于詩词、古文、戲劇、音樂以及書法、篆刻,無不涉獵。其詩文真率豪放,書法勁拔飄逸,外柔内剛,獨具風采。 款識:「雨後郊原分外青,尋春直到黨山亭。石闌干畔斜頭坐,飽看楊妃擁宿酲。故都退谷看牡丹作。丁亥三月,爰。」印鑒:張爰大千父、蜀客。

An Englishman Dancing. 1861 Japanese print

An Englishman Dancing. 1861 Japanese print

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