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.:. Kikugawa Eizan 菊川 英山 (1787 – 1867), a very skilled ukiyô-e artist and painter called his picture “Courtesan reading poet Ono no Komachi’s biography” (1812). The book is about the legendary female poet 小野小町 of the Heian period

.:. Kikugawa Eizan 菊川 英山 (1787 – 1867), a very skilled ukiyô-e artist and painter called his picture “Courtesan reading poet Ono no Komachi’s biography” (1812). The book is about the legendary female poet 小野小町 of the Heian period

Utagawa Kunisada, 歌川 国貞; also known as Utagawa Toyokuni III (三代歌川豊国), (1786-1865). He was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.

Utagawa Kunisada, 歌川 国貞; also known as Utagawa Toyokuni III (三代歌川豊国), (1786-1865). He was the most popular, prolific and financially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.

Cherrete, nova maneira de encarar a representação da mulher, sendo esta menos tensa e mais avontade. Torna cativante a forma de estar.  Emancipação da mulher. Afirmação social.  Neste periodo foi bastante relevante o papel da comunicação.

Cherrete, nova maneira de encarar a representação da mulher, sendo esta menos tensa e mais avontade. Torna cativante a forma de estar. Emancipação da mulher. Afirmação social. Neste periodo foi bastante relevante o papel da comunicação.

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