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Contra-Composition VII   Artist: Theo van Doesburg (1883-1931) Completion Date: 1924 Place of Creation: Germany Style: Neoplasticism Genre: abstract Technique: oil Material: canvas Dimensions: 52 x 21.5 cm Gallery: Musée des Beaux-Arts, Grenoble, France

Contra-Composition VII Artist: Theo van Doesburg (1883-1931) Completion Date: 1924 Place of Creation: Germany Style: Neoplasticism Genre: abstract Technique: oil Material: canvas Dimensions: 52 x 21.5 cm Gallery: Musée des Beaux-Arts, Grenoble, France

Milton Avery (American, 1885–1965). Dikran G. Kelekian, 1943. The Metropolitan Museum of Art, New York. Gift of Nanette B. Kelekian, 1998 (1998.400.1) #mustache #movember

Milton Avery (American, 1885–1965). Dikran G. Kelekian, 1943. The Metropolitan Museum of Art, New York. Gift of Nanette B. Kelekian, 1998 (1998.400.1) #mustache #movember

Paul Cézanne (French, 1839–1906). Madame Cézanne in a Yellow Chair, ca. 1888-90. Fondation Beyeler, Basel. | This work is featured in our Madame Cézanne exhibition on view through March 15, 2015.

Paul Cézanne (French, 1839–1906). Madame Cézanne in a Yellow Chair, ca. 1888-90. Fondation Beyeler, Basel. | This work is featured in our Madame Cézanne exhibition on view through March 15, 2015.

Henri de Toulouse-Lautrec (French, 1864–1901). Émilie, late 1890s. The Metropolitan Museum of Art, New York. The Lesley and Emma Sheafer Collection, Bequest of Emma A. Sheafer, 1973 (1974.356.35) #horse

Henri de Toulouse-Lautrec (French, 1864–1901). Émilie, late 1890s. The Metropolitan Museum of Art, New York. The Lesley and Emma Sheafer Collection, Bequest of Emma A. Sheafer, 1973 (1974.356.35) #horse

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