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Manuel Mérida, “Cercle Uniblanco”, 2012, Painted wood, pigments, metallic stems, glass, motor, Diameter: 103 cm. Photo credit: Mattheir Ferrier.

Manuel Mérida, “Cercle Uniblanco”, 2012, Painted wood, pigments, metallic stems, glass, motor, Diameter: 103 cm. Photo credit: Mattheir Ferrier.

Helen Frankenthaler

Helen Frankenthaler

Couler Additive, Carlos Cruz-Diez (b1923)  is a Venezuelan kinetic & op artist who lives in Paris. He has consistently focused solely on color, line and (viewer) perception. His visual style can be consistently identified throughout his work spanning his entire career. His work contains an element in which the viewer actively participates in viewing the work because the color changes and presents a sensation of movement as the relative position of the viewer changes

Couler Additive, Carlos Cruz-Diez (b1923) is a Venezuelan kinetic & op artist who lives in Paris. He has consistently focused solely on color, line and (viewer) perception. His visual style can be consistently identified throughout his work spanning his entire career. His work contains an element in which the viewer actively participates in viewing the work because the color changes and presents a sensation of movement as the relative position of the viewer changes

Mariko Mori at the Tokyo Museum of Contemporary Art.Pure Land. Mariko Mori. 1998 C.E. Color photograph on glass.

Mariko Mori at the Tokyo Museum of Contemporary Art.Pure Land. Mariko Mori. 1998 C.E. Color photograph on glass.

Grace Hartigan, "New York City Rhapsody" (1960), oil paint on canvas, 67-3/4 x 91-5/16 in, Mildred Lane Kemper Art Museum, Washington University in St. Louis, University purchase, Bixby Fund, 1960 (image courtesy Estate of Grace Hartigan)

Grace Hartigan, "New York City Rhapsody" (1960), oil paint on canvas, 67-3/4 x 91-5/16 in, Mildred Lane Kemper Art Museum, Washington University in St. Louis, University purchase, Bixby Fund, 1960 (image courtesy Estate of Grace Hartigan)

Apropos or Untitled by Deborah Remington

“Women of Abstract Expressionism” at the Denver Art Museum—Photos

Apropos or Untitled by Deborah Remington

Artistas dos mais diversos lugares utilizam a sua arte para trazer um pouco de cor e criatividade à diversos pontos nas cidades. Um espaço que passa desaperce

24 Intervenções Urbanas Criativas

Artistas dos mais diversos lugares utilizam a sua arte para trazer um pouco de cor e criatividade à diversos pontos nas cidades. Um espaço que passa desaperce

Running Fence -Installation Art project by Christo. 24 1/2-mile, 18-foot high, white nylon curtain that zigzagged over the Sonoma County hills before plunging into the ocean at the Marin-Sonoma county line.

Running Fence Installation Art by Christo

Running Fence -Installation Art project by Christo. 24 1/2-mile, 18-foot high, white nylon curtain that zigzagged over the Sonoma County hills before plunging into the ocean at the Marin-Sonoma county line.

Ed Ruscha  HONK, 1962

Ed Ruscha HONK, 1962

Mariko Mori   Wave UFO, 1999-2003  Vision Dome, projector, computer system, fibreglass, Technogel, acrylic, carbon fibre, aluminum, magnesium

Mariko Mori Wave UFO, 1999-2003 Vision Dome, projector, computer system, fibreglass, Technogel, acrylic, carbon fibre, aluminum, magnesium

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