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Marianne Brandt ( 1893 - 1983 )

Marianne Brandt With All Ten Fingers (Mit allen zehn Fingern)

Anxious utopianism - How photomontage created the architectural mirages of the 1960s

Photomontage for the Great Vienna Auto-Expander installation, Vienna, by the Viennese group Zünd-Up

Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt | International Center of Photography

Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt

Marianne Brandt, Untitled [with Anna May Wong], Harvard Art Museums/Busch-Reisinger Museum.

Sohei Nishino

Sohei Nishino

Urban Photography, Photomontage, Collages, Art Designs, Berlin, Buildings, Industrial, Arts Plastiques, Fotografie

Marianne Brandt

Marianne Brandt

Photomontage by German designer/artist/photographer Marianne Brandt Rejecting her Expressionist beginnings, Brandt joined the Bauhaus in and by 1928 was director of the metal workshop.

theticketthatexploded:    Marianne Brandt (German, 1893–1983) Untitled, c. 1930 photomontage (printed matter) National Gallery of Art, Washington, Gift of the Pepita Milmore Memorial Fund, the R.K. Mellon Family Foundation, and Thomas Walther  (via NGA: Foto: Modernity in Central Europe, 1918–1945)

Marianne Brandt (German, Untitled, c. 1930 photomontage (printed matter) National Gallery of Art, Washington,

Lux T. Feininger: Charleston on the Bauhaus Roof

[Charleston on the Bauhaus Roof]

Charleston on the Bauhaus Roof, 1927 Lux Feininger (American, born Germany, Gelatin silver print

Pen art + Network!

Double Exposure Photography is the art of crossing over from image capture into a form of Graphic Design. We have collected some work from Dan Mountford UK.

Marianne Brandt, Es ist Geschmackssache, 1926

It’s A Matter Of Taste - Marianne Brandt, 1926 Collaging found imagery from the illustrated press, Brandt’s compositions of.

Chambliss_Giobbi_SelfPortrait

Chambliss_Giobbi_SelfPortrait

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