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Paris’ Judgment I | Flickr - Photo Sharing! Paris, pastor no monte Ida, recibe a visita das 3 deusas...

Paris’ Judgment I | Flickr - Photo Sharing! Paris, pastor no monte Ida, recibe a visita das 3 deusas...

Menelaus and Helen. Attic black-figured amphora B Made in Athens Attributed to the Painter of the Vatican Mourner (or Painter of Vatican 350) About 530 BC From Vulci, Etruria Rome, Vatican Museums, Museo Gregoriano Etrusco

Menelaus and Helen. Attic black-figured amphora B Made in Athens Attributed to the Painter of the Vatican Mourner (or Painter of Vatican 350) About 530 BC From Vulci, Etruria Rome, Vatican Museums, Museo Gregoriano Etrusco

The metting of Paris and Helen

The metting of Paris and Helen

Pottery: red-figured volute-krater (bowl for mixing wine and water) showing the sacrifice of Iphigeneia. Agamemnon prepares to sacrifice her, but Artemis intervenes and turns her into a deer. The scene may have been inspired by Euripides' tragedy Iphigeneia at Aulis.

Pottery: red-figured volute-krater (bowl for mixing wine and water) showing the sacrifice of Iphigeneia. Agamemnon prepares to sacrifice her, but Artemis intervenes and turns her into a deer. The scene may have been inspired by Euripides' tragedy Iphigeneia at Aulis.

Philoctetes, wounded, is abandoned by the Greek expedition en route to Troy, detail of an Attic red-figure stamnos, ca. 460 BC

Philoctetes, wounded, is abandoned by the Greek expedition en route to Troy, detail of an Attic red-figure stamnos, ca. 460 BC

Oil Jar with Paris and Helen (detail), attributed to the Painter of the Frankfort Acorn, vase-painter; and Phintias, potter. Greek, Athens, 420-400 B.C.

Oil Jar with Paris and Helen (detail), attributed to the Painter of the Frankfort Acorn, vase-painter; and Phintias, potter. Greek, Athens, 420-400 B.C.

Pottery: Attic (?) red-figured calyx-krater: Aphrodite with Paris and Helen (back: Garden of the Hesperides).

Pottery: Attic (?) red-figured calyx-krater: Aphrodite with Paris and Helen (back: Garden of the Hesperides).

The Achilles on Skyros cup, enameled painting on glass, 3rd century AD, found in Cologne, Romisch-Germanisches Museum, Cologne

The Achilles on Skyros cup, enameled painting on glass, 3rd century AD, found in Cologne, Romisch-Germanisches Museum, Cologne

An Attic Black-Figure Neck Amphora Attributed to the Diosphos Painter. Side A: Thanatos (Death) and Hypnos (Sleep) with the body of Sarpedon  Side B: Eos (Dawn) with the body of her son, Memnon  The scenes on this jar show two great heroes of the Trojan War being lifted from the battlefield after their deaths. Sarpedon, a son of the god Zeus, will be carried to Lycia, his homeland in southern Asia Minor, and Memnon, to his kingdom in Ethiopia.

An Attic Black-Figure Neck Amphora Attributed to the Diosphos Painter. Side A: Thanatos (Death) and Hypnos (Sleep) with the body of Sarpedon Side B: Eos (Dawn) with the body of her son, Memnon The scenes on this jar show two great heroes of the Trojan War being lifted from the battlefield after their deaths. Sarpedon, a son of the god Zeus, will be carried to Lycia, his homeland in southern Asia Minor, and Memnon, to his kingdom in Ethiopia.

Trojan War scene: Ajax bends to lift the body of Achilles, Penn Museum

Trojan War scene: Ajax bends to lift the body of Achilles, Penn Museum

antakya-archaeological-museum-antioch

antakya-archaeological-museum-antioch

On this vase you can see two heralds leading Briseis away. Behind them angry Achilles sits alone in his tent. He is muffled in his cloak and holds his head in his hand. Achilles was determined to punish Menelaos and Agamemnon for his loss, so refused to fight for them any more. Above: Briseis led away from Achilles. Detail from Athenian red-figure clay vase, about 500-450 BC. London, British Museum E76. Photo. BM XXXVII B 56 © London, British Museum

On this vase you can see two heralds leading Briseis away. Behind them angry Achilles sits alone in his tent. He is muffled in his cloak and holds his head in his hand. Achilles was determined to punish Menelaos and Agamemnon for his loss, so refused to fight for them any more. Above: Briseis led away from Achilles. Detail from Athenian red-figure clay vase, about 500-450 BC. London, British Museum E76. Photo. BM XXXVII B 56 © London, British Museum

Achilles dragging Hector's body in front of the Gates of Troy. Detail of a silver oinochoe dedicated by Q. Domitius Tutus, made in Italy, first half of the 1st century AD. From the Berthouville treasure.

Achilles dragging Hector's body in front of the Gates of Troy. Detail of a silver oinochoe dedicated by Q. Domitius Tutus, made in Italy, first half of the 1st century AD. From the Berthouville treasure.

Euryalus und Nisus im Vergilius Vaticanus, Codex Vat. Lat. 3225, f. 73v

Euryalus und Nisus im Vergilius Vaticanus, Codex Vat. Lat. 3225, f. 73v

Conspiracy Feeds: Το έλεος και η ικεσία στην αρχαία Ελλάδα. Γιατί ο ...

Conspiracy Feeds: Το έλεος και η ικεσία στην αρχαία Ελλάδα. Γιατί ο ...

Relief of the front of Etruscan cinerary urn. Alabaster. 2nd century BCE.

Relief of the front of Etruscan cinerary urn. Alabaster. 2nd century BCE.