Installation view of CORPOS SELVAGENS (october 20, 2016 - january 07, 2017) at Galeria Belo-Galsterer, Lisboa. (photo credits: Marco Pires)

Installation view of CORPOS SELVAGENS (october 20, 2016 - january 07, 2017) at Galeria Belo-Galsterer, Lisboa. (photo credits: Marco Pires)

View of the exhibition Paperworks III. Landscape without Landscape, with works by Marta Alvim, from the series Screenshots, 2015

View of the exhibition Paperworks III. Landscape without Landscape, with works by Marta Alvim, from the series Screenshots, 2015

View of the exhibition Paperworks III. Landscape without Landscape, with works by Marta Alvim, from the series Screenshots, 2015

View of the exhibition Paperworks III. Landscape without Landscape, with works by Marta Alvim, from the series Screenshots, 2015

Marta Alvim, "No Green, No Blue", 2012

Marta Alvim, "No Green, No Blue", 2012

Marta Alvim: A Strange Form of Life, 2015 (Vídeo installation). Installation view from the project CORPOS SELVAGENS (October 20, 2016 - January 07, 2017). (photo credits: Marco Pires, 2016)

Marta Alvim: A Strange Form of Life, 2015 (Vídeo installation). Installation view from the project CORPOS SELVAGENS (October 20, 2016 - January 07, 2017). (photo credits: Marco Pires, 2016)

Installation view of CORPOS SELVAGENS, project by Marta Alvim at Galeria Belo-Galsterer, Lisbon, with the works: An image of Happiness - I, 2016, and Empathy, 2016 (both works are photographies). (photo credits: Marco Pires)

Installation view of CORPOS SELVAGENS, project by Marta Alvim at Galeria Belo-Galsterer, Lisbon, with the works: An image of Happiness - I, 2016, and Empathy, 2016 (both works are photographies). (photo credits: Marco Pires)

Obliqua | 2016 @ Antena 2 on Vimeo

Anúncio Antena 2 / da Oblíqua / Videoarte & Cinema Experimental

Image result for marta alvim

Image result for marta alvim

artalibipt's Instagram Media - 1401511484227431608_1709394074

artalibipt's Instagram Media - 1401511484227431608_1709394074

Estas imagens sensíveis lembra-nos também de missing pictures de Ronald Brady, referentes a um dos seus estudos científicos sobre a natureza orgânica, por traduzirem o movimento transitório das formas do Universo. A cor vibra a impressão de um tempo preciso, sem interrupção e contínuo. Capta cada intervalo, numa repetição do instante, que geralmente se dilui.

Estas imagens sensíveis lembra-nos também de missing pictures de Ronald Brady, referentes a um dos seus estudos científicos sobre a natureza orgânica, por traduzirem o movimento transitório das formas do Universo. A cor vibra a impressão de um tempo preciso, sem interrupção e contínuo. Capta cada intervalo, numa repetição do instante, que geralmente se dilui.


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