Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

A message mailed to all our friends at the end of 2015.

A message mailed to all our friends at the end of 2015.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.

Bespoke uppercase typeface with modernist geometric design, based on a grid and on drafts of a handful of letters designed by the architect Fernando Távora. This display font has five styles - regular, outline, inline, engraved and original grid.


Mais ideias
Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

Bespoke humanistic italic designed for the book Os Lusíadas, by Luís de Camões, following the characters of the princeps edition, printed in Lisbon by António Gonçalves in the year 1572, and currently part of the University of Coimbra Library.

A message mailed to all our friends at the end of 2015.

A message mailed to all our friends at the end of 2015.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

This font was designed as part of the bigger project to create a visitor center at the Quinta do Bomfim, one of the best vineyards of the Douro in the heart of the world’s oldest demarcated wine region. The font drew inspiration from typographic elements in an old guestbook found in the main house of the Quinta.

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