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Books & Editorial

96 Pins
 5y
Collection by
FBA.
,
A M
 and
Eduardo Nunes
Similar ideas popular now
Books
Editorial
The future of capitalism book cover series. Fba, Capitalism, Signage, Editorial, Interactive, Future, Series, Book Cover, Books
Fba
Capitalism
Signage
Editorial
Interactive
Future
Series
Book Cover
Books
The future of capitalism book cover series.
The future of capitalism book cover series. Inequality, Portfolio, Development
Inequality
Portfolio
Development
The future of capitalism book cover series.
The future of capitalism book cover series. Financial
Financial
The future of capitalism book cover series.
The future of capitalism book cover series.
The future of capitalism book cover series.
The future of capitalism book cover series. Design Inspiration, Black
Design Inspiration
Black
The future of capitalism book cover series.
Convento São Francisco. Visual Identity, Signage and Webdesign by FBA. Yearbook, Visual Identity, Web Design, Projects, Print
Yearbook
Visual Identity
Web Design
Projects
Print
Convento São Francisco. Visual Identity, Signage and Webdesign by FBA.
Convento São Francisco. Visual Identity, Signage and Webdesign by FBA. Exhibition, Branding
Exhibition
Branding
Convento São Francisco. Visual Identity, Signage and Webdesign by FBA.
Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography. History Of Typography, Year 2000, Book Series, Honor, Manual, Two By Two
History Of Typography
Year 2000
Book Series
Honor
Manual
Two By Two
Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.
Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography. Book Design
Book Design
Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.
Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography. Identity
Identity
Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language. Cover Design, Project Photo, Editorial Design, Paper Texture, Graphing
Cover Design
Project Photo
Editorial Design
Paper Texture
Graphing
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language. Higher Education
Higher Education
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language. Discipline System, Aqa English Literature, Catalog Design, Sacred Space, Social Stories
Discipline System
Aqa English Literature
Catalog Design
Sacred Space
Social Stories
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language. Graphic Design Typography, Branding Design, Magazine Page Layouts, Page Layout Design, Layout Book, Print Design, Typography Packaging, Front Cover Designs
Graphic Design Typography
Branding Design
Magazine Page Layouts
Page Layout Design
Layout Book
Print Design
Typography Packaging
Front Cover Designs
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language. Portfolio Book, Fashion Portfolio, Graphic Design, Illustrations
Portfolio Book
Fashion Portfolio
Graphic Design
Illustrations
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language. Typography Layout, Typography Poster, Book Set, Picture Book, Photo Book, Design Observer
Typography Layout
Typography Poster
Book Set
Picture Book
Photo Book
Design Observer
Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition. Goncalves, Lisbon, Then And Now, Bespoke, Texts, University, Library
Goncalves
Lisbon
Then And Now
Bespoke
Texts
University
Library
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition. Diplomat
Diplomat
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
This diplomatic edition of The Lusíadas by Luís de Camões, is based on a copy of the princeps edition, printed in Lisbon by António Gonçalves in 1572 and now part of the University of Coimbra Library. The text was composed in a bespoke humanistic italic, drawing inspiration from the characters used in the aforementioned first edition.
The pocketbook series "Fenda das Raparigas" is the result of FBA's collaboration with Pedro Proença, creator of the illustrations used on the cover designs but also author of some of the titles in the series. Fendi, Pocket Book, Collaboration, The Creator, Author
Fendi
Pocket Book
Collaboration
The Creator
Author
The pocketbook series "Fenda das Raparigas" is the result of FBA's collaboration with Pedro Proença, creator of the illustrations used on the cover designs but also author of some of the titles in the series.
The pocketbook series "Fenda das Raparigas" is the result of FBA's collaboration with Pedro Proença, creator of the illustrations used on the cover designs but also author of some of the titles in the series.
The pocketbook series "Fenda das Raparigas" is the result of FBA's collaboration with Pedro Proença, creator of the illustrations used on the cover designs but also author of some of the titles in the series.