Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

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Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

is a Coimbra, Portugal based design studio founded in 1998 with print, identity, exhibition, signage and interactive work developed with clients of different sizes and status from both the private and public sectors.

The future of capitalism book cover series.

The future of capitalism book cover series.

The future of capitalism book cover series.

The future of capitalism book cover series.

The future of capitalism book cover series.

The future of capitalism book cover series.

The future of capitalism book cover series.

The future of capitalism book cover series.

The future of capitalism book cover series.

The future of capitalism book cover series.

Convento São Francisco. Visual Identity, Signage and Webdesign by FBA.

Convento São Francisco. Visual Identity, Signage and Webdesign by FBA.

Convento São Francisco. Visual Identity, Signage and Webdesign by FBA.

Convento São Francisco. Visual Identity, Signage and Webdesign by FBA.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

The topics are in-depth studies that frequently rely on graphs, schemas and diagrams.The design approach relied on self-imposed restric…

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