Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

The pocketbook series "Fenda das Raparigas" is the result of FBA's collaboration with Pedro Proença, creator of the illustrations used on the cover designs but also author of some of the titles in the series.

The pocketbook series "Fenda das Raparigas" is the result of FBA's collaboration with Pedro Proença, creator of the illustrations used on the cover designs but also author of some of the titles in the series.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Manual Tipográfico by Giambattista Bodoni is the second title in a book series on typography published since the year 2000. The series is a labour of love by Almedina and FBA with the aim to honor the design and the history of typography.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

Cover design for CELGA book series. The approach relied on self-imposed restrictions that dictated that all illustrations used on the covers should be drawn using a very limited set of Indesign tools, thus creating images very close to the schemas used in the study of this discipline. The white color, adopted typography as well as the chosen textured paper for the covers, contributed to underline the idea of the rigorous clinical approach this field of study adopts when analysing language.

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