130 Best Free Fonts for download

130 Best Free Fonts for download

Oh Bella. I am leaning toward a real thick and thin stroke font for your identity. Mixed with a bit of the rawness of Fortune magazine.

Oh Bella. I am leaning toward a real thick and thin stroke font for your identity. Mixed with a bit of the rawness of Fortune magazine.

Argö is a serif typeface designed initially as an Art Deco display font, but with a few changes to traditional aesthetics. Horizontal lines have been replaced with Medieval themed ascenders to allow for more flow and versatility, incase the user intends t…

Argö is a serif typeface designed initially as an Art Deco display font, but with a few changes to traditional aesthetics. Horizontal lines have been replaced with Medieval themed ascenders to allow for more flow and versatility, incase the user intends t…

Typefaces-SwissTypefaces-Sangbleu

Typefaces-SwissTypefaces-Sangbleu

Zefani Stencil is a modern didone typeface with strong characters and bold lines, while it’s sister font Zefani Sans is a light san-serif with monoline strokes and three different weights.This is the Zefani family.

Zefani Stencil is a modern didone typeface with strong characters and bold lines, while it’s sister font Zefani Sans is a light san-serif with monoline strokes and three different weights.This is the Zefani family.

Austin news deck font - Commercial Type

Austin news deck font - Commercial Type

Addington CF - Reliable and workmanlike on the surface, Addington CF opens up and comes alive with its char...

Addington CF - Reliable and workmanlike on the surface, Addington CF opens up and comes alive with its char...

Stillis Typeface by Seth Mach, via Behance

Stillis Typeface by Seth Mach, via Behance

Canal, typography, poster, sans serif, design, print, type, lettering, alphabet

Canal, typography, poster, sans serif, design, print, type, lettering, alphabet

I think this is a great combination of fashion photography and typography. What I found most interesting about it, is the way that the curve of the "J" isn't lost in the arm of the model. They work as one image rather than separately.

I think this is a great combination of fashion photography and typography. What I found most interesting about it, is the way that the curve of the "J" isn't lost in the arm of the model. They work as one image rather than separately.

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