Serif

Oh Bella. I am leaning toward a real thick and thin stroke font for your identity. Mixed with a bit of the rawness of Fortune magazine.

Oh Bella. I am leaning toward a real thick and thin stroke font for your identity. Mixed with a bit of the rawness of Fortune magazine.

Argö is a serif typeface designed initially as an Art Deco display font, but…

Argö is a serif typeface designed initially as an Art Deco display font, but…

Hole and Corner Magazine, 2 Issue Two - Lissom + Muster #logotype #branding #serif #magazine

Hole and Corner Magazine, 2 Issue Two - Lissom + Muster #logotype #branding #serif #magazine

Superior Title by type foundry MCKL (Minneapolis). High contrast typeface, kind of missing link between Bodoni + Times, suitable for fashion…

Superior Title by MCKL

Superior Title by type foundry MCKL (Minneapolis). High contrast typeface, kind of missing link between Bodoni + Times, suitable for fashion…

Zefani Stencil is a modern didone typeface with strong characters and bold lines, while it’s sister font Zefani Sans is a light san-serif with monoline strokes and three different weights.This is the Zefani family.

Zefani Stencil is a modern didone typeface with strong characters and bold lines, while it’s sister font Zefani Sans is a light san-serif with monoline strokes and three different weights.This is the Zefani family.

gave lettertypes De A van Aspire kan zo mooi als de E hier, en dan dat wat meer handgeschreven 'wild' voor onze ondertitel, alsof we onze handtekening zetten daarmee als het ware? En dan misschien een aquarel achtige kleur (zie andere pins) voor wat kleur?

gave lettertypes De A van Aspire kan zo mooi als de E hier, en dan dat wat meer handgeschreven 'wild' voor onze ondertitel, alsof we onze handtekening zetten daarmee als het ware? En dan misschien een aquarel achtige kleur (zie andere pins) voor wat kleur?

lettering, type, alphabet, design, graphic, typography

lettering, type, alphabet, design, graphic, typography

Until the advent of the computer era, the font designed by and named for Giambattista Bodoni was the standard headline font for most American newspapers. The common one was heavier and sturdier than this, but the bones were the same.

Until the advent of the computer era, the font designed by and named for Giambattista Bodoni was the standard headline font for most American newspapers. The common one was heavier and sturdier than this, but the bones were the same.

// Vintage Fonts: 35 Adverts From the Past

Vintage Fonts: 35 Adverts From the Past

// Vintage Fonts: 35 Adverts From the Past

Stillis Typeface by Seth Mach, via Behance

Stillis Typeface by Seth Mach, via Behance

Pinterest
Pesquisar