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Because a man's sensitivity must often be repressed, the anima is one of the most significant autonomous complexes of all. It is said to manifest itself by appearing in dreams. (Painting: Max Ernst)..Surrealism

Max Ernst, le goût démesuré de l'énigme - leJDD.fr

Because a man's sensitivity must often be repressed, the anima is one of the most significant autonomous complexes of all. It is said to manifest itself by appearing in dreams. (Painting: Max Ernst)..Surrealism

Max Ernst. Cover for Repetitions (1922). *eye is open but it can't see*

Max Ernst. Cover for Repetitions (1922). *eye is open but it can't see*

Max Ernst, The elephant Celebes, 1921 Surrealism Max Ernst often re-use images, he either added or removed pictures into his artworks in order to create new realities. This painting It combines the vivid, dreamlike atmosphere of Surrealism period. (-Re-ppined from Cynthia Wei)

Max Ernst, The elephant Celebes, 1921 Surrealism Max Ernst often re-use images, he either added or removed pictures into his artworks in order to create new realities. This painting It combines the vivid, dreamlike atmosphere of Surrealism period. (-Re-ppined from Cynthia Wei)

Max Ernst, Une Semaine de Bonté..I have this book and it is a wealth of intriguing images..mesmerizing

Max Ernst, Une Semaine de Bonté..I have this book and it is a wealth of intriguing images..mesmerizing

max ernst / at the first clear word  / dusseldorf / 1923                                                                                                                                                                                 More

max ernst / at the first clear word / dusseldorf / 1923 More

Max Ernst                                                                                                                                                                                 More

Max Ernst. Arte surrealista.

Max Ernst More

Max Ernst.

Bésame mucho

Max Ernst.

Red Forest - Max Ernst

Red Forest - Max Ernst

Max Ernst, And the Butterflies Began to Sing (Illustration from La Femme 100 Tetes), 1929

Max Ernst, And the Butterflies Began to Sing (Illustration from La Femme 100 Tetes), 1929

Ernst, The Robing of the Bride

Ernst, The Robing of the Bride

'The Dark Gods', by Max Ernst, oil-on-canvas, 1957, Museum Folkwang, Essen.

'The Dark Gods', by Max Ernst, oil-on-canvas, 1957, Museum Folkwang, Essen.

Max Ernst (1891-1976) Nocturne signed 'max ernst' (lower right) oil on panel laid down on panel Image size: 16 1/8 x 12 7/8 in. (41 x 32.8 cm.) Mount size: 24¾ x 21 5/8 in. (62.9 x 54.9 cm.) Painted in 1967

Max Ernst (1891-1976) Nocturne signed 'max ernst' (lower right) oil on panel laid down on panel Image size: 16 1/8 x 12 7/8 in. (41 x 32.8 cm.) Mount size: 24¾ x 21 5/8 in. (62.9 x 54.9 cm.) Painted in 1967

windypoplarsroom:Max Ernst"Une Semaine de Bonte"

windypoplarsroom:Max Ernst"Une Semaine de Bonte"

Max Ernst Surrealism Collage Pin it

Max Ernst Surrealism Collage Pin it

'No Further Bets' (Rien ne va plus) - Max Ernst, 1973

'No Further Bets' (Rien ne va plus) - Max Ernst, 1973

Max Ernst- Vive l'amour (Le Pays Charmant)  Art Experience NYC  www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

Max Ernst- Vive l'amour (Le Pays Charmant) Art Experience NYC www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial