Man Ray - Tears, 1930 photographe surréaliste J'aime le côté dramatique dans l'image. Je trouve la cadrage très intéressant et hors du commun.

Le Violon d'Ingres by Man Ray, 1924

Man Ray - Tears, 1930 photographe surréaliste J'aime le côté dramatique dans l'image. Je trouve la cadrage très intéressant et hors du commun.

"Noire et Blanche"  Man Ray, 1926  Editorial de beleza para a Vogue.  Discurso de simbolismo - maquiagem como uma máscara.

"Noire et Blanche" Man Ray, 1926 Editorial de beleza para a Vogue. Discurso de simbolismo - maquiagem como uma máscara.

Man Ray, Indestructible Object (Object to be Destroyed)  I've seen this in person at the nelson and it is one of my favorite pieces

Man Ray, Indestructible Object (Object to be Destroyed) I've seen this in person at the nelson and it is one of my favorite pieces

Man Ray "Suicide" (Self-portrait) From the negative 1932.  Image from: "Man Ray | Lee Miller, Partners in Surrealism" Phillip Prodger Merrell 2011

Man Ray "Suicide" (Self-portrait) From the negative 1932. Image from: "Man Ray | Lee Miller, Partners in Surrealism" Phillip Prodger Merrell 2011

Man Ray, 1928 (born Emmanuel Radnitzky, August 27, 1890 – November 18, 1976) was an American modernist artist who spent most of his career in Paris, France. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all.

Man Ray, 1928 (born Emmanuel Radnitzky, August 27, 1890 – November 18, 1976) was an American modernist artist who spent most of his career in Paris, France. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all.

Gota del mar donde en naufragio lento  se hunde el navío negro de una pena;  gota que, rebosando, nubla y llena  los ojos olvidados del contento.    Grito hecho perla por el desaliento  de saber que si llega a un alma ajena,  ésta, sin escucharlo, le condena  por vergonzoso heraldo del tormento.    Piedad para esa gota, que es cual llama  de la que el corazón se desahoga  cual desahoga espinas una rama.    Piedad para la lágrima que azoga  el dolor, pues si así no se derrama,  el alma, en…

Gota del mar donde en naufragio lento se hunde el navío negro de una pena; gota que, rebosando, nubla y llena los ojos olvidados del contento. Grito hecho perla por el desaliento de saber que si llega a un alma ajena, ésta, sin escucharlo, le condena por vergonzoso heraldo del tormento. Piedad para esa gota, que es cual llama de la que el corazón se desahoga cual desahoga espinas una rama. Piedad para la lágrima que azoga el dolor, pues si así no se derrama, el alma, en…

#DADABOX #milkmagazine  ETRE A L'HEURE AVOIR A L'OEIL source : http://larocaille.altervista.org/blog/tag/leon-bakst/

Box septembre 2014

#DADABOX #milkmagazine ETRE A L'HEURE AVOIR A L'OEIL source : http://larocaille.altervista.org/blog/tag/leon-bakst/

Her portrait is framed perfectly even though half of it is like a shadow, you can still make out where she stands. #U4APSA

Her portrait is framed perfectly even though half of it is like a shadow, you can still make out where she stands. #U4APSA

BY MAN RAY  |    THE GIRL WITH LONG HAIR  |   1929   |       #manray          |         Via   💠More Pins Like This At FOSTERGINGER @ Pinterest💠

BY MAN RAY | THE GIRL WITH LONG HAIR | 1929 | #manray | Via 💠More Pins Like This At FOSTERGINGER @ Pinterest💠

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