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Jenny Saville: Flesh

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Very jenny saville

A discriminação a pessoas gordas ainda não é uma bandeira forte do feminismo, embora atinja diversas mulheres. O quadro só será transformado com engajamento político e mobilização coletiva, de quem sofre ou não esse tipo de preconceito

jenny saville ---- The eye in this painting is displaying so much raw emotion. Along with the tones of red and pink the audience instantly recognises the sadness present. I want to create this same instant effect in my images.

jenny saville ---- The eye in this painting is displaying so much raw emotion. Along with the tones of red and pink the audience instantly recognises the sadness present. I want to create this same instant effect in my images.

Credit: (c) 2012 Jenny Saville, image courtesy Gagosian Gallery  Atonement Studies: Central Panel (Rosetta), 2005-06

Jenny Saville's work - in pictures

Credit: (c) 2012 Jenny Saville, image courtesy Gagosian Gallery Atonement Studies: Central Panel (Rosetta), 2005-06

Jenny Saville, Shift (1996-97) was just sold at Sotheby's for a record £6.8 million. This was most famously shown in Saatchi's landmark exhibition Sensation in 1997.

Jenny Saville, Shift (1996-97) was just sold at Sotheby's for a record £6.8 million. This was most famously shown in Saatchi's landmark exhibition Sensation in 1997.

‘My women are beautiful in their individuality’ – Jenny Saville

‘My women are beautiful in theirindividuality’

‘My women are beautiful in their individuality’ – Jenny Saville

Jenny Saville --- The eye in this painting is displaying so much raw emotion. Along with the tones of red and pink the audience instantly recognises the sadness present. I want to create this same instant effect in my images.

Jenny Saville --- The eye in this painting is displaying so much raw emotion. Along with the tones of red and pink the audience instantly recognises the sadness present. I want to create this same instant effect in my images.

Jenny Saville ‘Study for Pentimenti II’ (2011) - this is drawing at its finest - intelligent, exploratory and purposeful, rich with astute observation and fluid markmaking.

Jenny Saville, Modern Art, Oxford

Jenny Saville ‘Study for Pentimenti II’ (2011) - this is drawing at its finest - intelligent, exploratory and purposeful, rich with astute observation and fluid markmaking.

Jenny Saville, took these images of herself pressed agained glass, to use as source material for her paintings.

Jenny Saville, took these images of herself pressed agained glass, to use as source material for her paintings.

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