Early façade lining with azulejos by Fábrica Roseira at Calçada do Cardeal 15 | João Manuel Mimoso. “Early façade azulejo frames by Fábrica Roseira of Lisbon,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 54-60. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/47

Early façade lining with azulejos by Fábrica Roseira at Calçada do Cardeal 15 | João Manuel Mimoso. “Early façade azulejo frames by Fábrica Roseira of Lisbon,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 54-60. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/47

Lisbon, A Napolitana, tile panel in the main building | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Lisbon, A Napolitana, tile panel in the main building | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

“Queen Amelia in a children’s dispensary in Alcântara”, section of the covering of the Room Passos Perdidos (photo: Duarte Belo, 2012) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

“Queen Amelia in a children’s dispensary in Alcântara”, section of the covering of the Room Passos Perdidos (photo: Duarte Belo, 2012) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Lisbon, A Concorrente main façade | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Lisbon, A Concorrente main façade | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Buçaco Palace Hotel, “The arrival of Vasco da Gama to India” “panel (photo: Patrícia Nóbrega, 2015) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Buçaco Palace Hotel, “The arrival of Vasco da Gama to India” “panel (photo: Patrícia Nóbrega, 2015) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Peniche, Church of Nossa Senhora da Ajuda, 1723-1724 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

Peniche, Church of Nossa Senhora da Ajuda, 1723-1724 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

“Cota Zero”, New ticket hall, 2011, Catarina Almada Negreiros (1972) and Rita Almada Negreiros (1970), South and Southeast river station, Terreiro do Paço (Lisbon) (photo: Inês Leitão) | Inês Leitão. "Rethinking frases in contemporary azulejo," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 100-108. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/42

“Cota Zero”, New ticket hall, 2011, Catarina Almada Negreiros (1972) and Rita Almada Negreiros (1970), South and Southeast river station, Terreiro do Paço (Lisbon) (photo: Inês Leitão) | Inês Leitão. "Rethinking frases in contemporary azulejo," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 100-108. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/42

Óbidos, Church of Santa Maria, 1670-1680 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

Óbidos, Church of Santa Maria, 1670-1680 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

Estoril, patterned motif in east facade between the door and window | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Estoril, patterned motif in east facade between the door and window | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44


Mais ideias
“Queen Amelia in a children’s dispensary in Alcântara”, section of the covering of the Room Passos Perdidos (photo: Duarte Belo, 2012) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

“Queen Amelia in a children’s dispensary in Alcântara”, section of the covering of the Room Passos Perdidos (photo: Duarte Belo, 2012) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Buçaco Palace Hotel, “The arrival of Vasco da Gama to India” “panel (photo: Patrícia Nóbrega, 2015) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Buçaco Palace Hotel, “The arrival of Vasco da Gama to India” “panel (photo: Patrícia Nóbrega, 2015) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Lisbon, A Concorrente main façade | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Lisbon, A Concorrente main façade | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Frame: Isaac Gosset (?), 1713–1799, British, Rococo Trophy frame, mid-18th century, YCBA, B1981.25.559FR | Painting: Samuel Scott, Vice Admiral Sir George Anson’s Victory off Cape Finisterre, 1749, YCBA, B1981.25.559 | Emmanuelle Delmas-Glass. "YCBA historic frame collection: using semantic web technology to contribute to the scholarship of British art," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 9-23. URL…

Frame: Isaac Gosset (?), 1713–1799, British, Rococo Trophy frame, mid-18th century, YCBA, B1981.25.559FR | Painting: Samuel Scott, Vice Admiral Sir George Anson’s Victory off Cape Finisterre, 1749, YCBA, B1981.25.559 | Emmanuelle Delmas-Glass. "YCBA historic frame collection: using semantic web technology to contribute to the scholarship of British art," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 9-23. URL…

“Street Ceramics – Paris’13”, 2013, Add Fuel (1980), Paris (photo by Diogo Machado); 19th century patterned azulejo (photo: Inês Aguiar)  | Inês Leitão. "Rethinking frases in contemporary azulejo," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 100-108. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/42

“Street Ceramics – Paris’13”, 2013, Add Fuel (1980), Paris (photo by Diogo Machado); 19th century patterned azulejo (photo: Inês Aguiar) | Inês Leitão. "Rethinking frases in contemporary azulejo," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 100-108. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/42

The simple beauty of the frame enhanced by the tile layer’s fine work (photo: J-M Mimoso, 2012) | João Manuel Mimoso. “Early façade azulejo frames by Fábrica Roseira of Lisbon,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 54-60. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/47

The simple beauty of the frame enhanced by the tile layer’s fine work (photo: J-M Mimoso, 2012) | João Manuel Mimoso. “Early façade azulejo frames by Fábrica Roseira of Lisbon,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 54-60. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/47

Atlântico Palace, Oporto, 1950. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Atlântico Palace, Oporto, 1950. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Detail of an in situ double azulejo frame. The double azulejo frame photomontage (photo: Inês Aguiar, 2015) |  Inês da Silva Aguiar. “Reframing: cataloguing azulejo frames,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 24-32. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/40

Detail of an in situ double azulejo frame. The double azulejo frame photomontage (photo: Inês Aguiar, 2015) | Inês da Silva Aguiar. “Reframing: cataloguing azulejo frames,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 24-32. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/40

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Estação de metro do Bolhão com painel de azulejos de Júlio Resende

Estação de metro do Bolhão com painel de azulejos de Júlio Resende

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