Early façade lining with azulejos by Fábrica Roseira at Calçada do Cardeal 15 | João Manuel Mimoso. “Early façade azulejo frames by Fábrica Roseira of Lisbon,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 54-60. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/47

Early façade lining with azulejos by Fábrica Roseira at Calçada do Cardeal

Lisbon, A Napolitana, tile panel in the main building | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Lisbon, A Napolitana, tile panel in the main building | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

“Queen Amelia in a children’s dispensary in Alcântara”, section of the covering of the Room Passos Perdidos (photo: Duarte Belo, 2012) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

“Queen Amelia in a children’s dispensary in Alcântara”, section of the covering of the Room Passos Perdidos (photo: Duarte Belo, 2012) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Lisbon, A Concorrente main façade | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Lisbon, A Concorrente main façade | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Buçaco Palace Hotel, “The arrival of Vasco da Gama to India” “panel (photo: Patrícia Nóbrega, 2015) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Buçaco Palace Hotel, “The arrival of Vasco da Gama to India” “panel (photo: Patrícia Nóbrega, 2015) | Patrícia Nóbrega. “Jorge Colaço: identity and transcultural framings,” in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 75-87. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/43

Atlântico Palace, Oporto, 1950. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Atlântico Palace, Oporto, 1950. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Peniche, Church of Nossa Senhora da Ajuda, 1723-1724 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

Peniche, Church of Nossa Senhora da Ajuda, 1723-1724 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

“Cota Zero”, New ticket hall, 2011, Catarina Almada Negreiros (1972) and Rita Almada Negreiros (1970), South and Southeast river station, Terreiro do Paço (Lisbon) (photo: Inês Leitão) | Inês Leitão. "Rethinking frases in contemporary azulejo," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 100-108. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/42

“Cota Zero”, New ticket hall, 2011, Catarina Almada Negreiros (1972) and Rita Almada Negreiros (1970), South and Southeast river station, Terreiro do Paço (Lisbon) (photo: Inês Leitão) | Inês Leitão. "Rethinking frases in contemporary azulejo," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 100-108. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/42


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