ARTisON 2 special - AzLab#14 Azulejos and Frames. Proceedings

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20 Pins93 Seguidores
Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Palace of Justice, Lisbon, 1969. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Atlântico Palace, Oporto, 1950. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Atlântico Palace, Oporto, 1950. Jorge Barradas, the interior of the porticoed gallery (photo: Ana Almeida) | Ana Almeida. "Architecture, ceramics and frames. Three case studies in the work of Jorge Barradas," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 88-99. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/38

Peniche, Church of Nossa Senhora da Ajuda, 1723-1724 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

Peniche, Church of Nossa Senhora da Ajuda, 1723-1724 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

The B-18-00021-V can be applied with the B-18-00026-H and B-18-00036-H | Rosário Salema de Carvalho. “Cataloguing Baroque azulejo frames. A project in progress,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 33-41. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/41

The B-18-00021-V can be applied with the B-18-00026-H and B-18-00036-H | Rosário Salema de Carvalho. “Cataloguing Baroque azulejo frames. A project in progress,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 33-41. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/41

“Cota Zero”, New ticket hall, 2011, Catarina Almada Negreiros (1972) and Rita Almada Negreiros (1970), South and Southeast river station, Terreiro do Paço (Lisbon) (photo: Inês Leitão) | Inês Leitão. "Rethinking frases in contemporary azulejo," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 100-108. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/42

“Cota Zero”, New ticket hall, 2011, Catarina Almada Negreiros (1972) and Rita Almada Negreiros (1970), South and Southeast river station, Terreiro do Paço (Lisbon) (photo: Inês Leitão) | Inês Leitão. "Rethinking frases in contemporary azulejo," in ARTisON - AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 100-108. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/42

Óbidos, Church of Santa Maria, 1670-1680 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

Óbidos, Church of Santa Maria, 1670-1680 | Ana Raquel Machado; Rosário Salema de Carvalho. “Frame simulation in 18th century azulejos,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 42-53. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/39

Lisbon, A Napolitana, tile panel in the main building | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Lisbon, A Napolitana, tile panel in the main building | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Estoril, patterned motif in east facade between the door and window | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Estoril, patterned motif in east facade between the door and window | António Cota Fevereiro. "The Art Nouveau tiles as frames to architecture in Lisbon," in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 62-74. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/44

Cover: Official image of AzLab#14 Azulejos and Frames designed by Inês Leitão. URL: http://artison.letras.ulisboa.pt

Cover: Official image of AzLab#14 Azulejos and Frames designed by Inês Leitão. URL: http://artison.letras.ulisboa.pt

Roseira wide frame patterns of the mid-19th century (photos: J-M Mimoso, 2012) | João Manuel Mimoso. “Early façade azulejo frames by Fábrica Roseira of Lisbon,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 54-60. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/47

Roseira wide frame patterns of the mid-19th century (photos: J-M Mimoso, 2012) | João Manuel Mimoso. “Early façade azulejo frames by Fábrica Roseira of Lisbon,” in AzLab#14 Azulejos and Frames. Proceedings. 2 (2016), p. 54-60. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/47

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